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Lastly Etwald. It is difficult to describe the indescribable. He was austere in face, like Dante, with hollow cheeks, and a pallid hue which told of midnight studies. If he had passions, they could not be discerned in his features. Eye and mouth and general expression were like a mask. What actually lay behind that mask no one ever knew, for it was never off. His slightly hollow chest, his lean and nervous hands, and a shock of rather long, curling hair, tossed from a high forehead, gave Etwald the air of a student. But there was something sinister and menacing in his regard. He looked dangerous and more than a trifle uncanny. Physically, mentally, morally he was an enigma to the bovine inhabitants of Deanminster and Hurstleigh.,

"We must question your servant," said Arkel, having noted the major's answers in his pocket-book. "He was stunned, I believe?",

"Ask de great massa.",

Griffin, who was just behind her, winked solemnly at Patricia and then shook her head sadly, as if to indicate that the monitor was in her opinion hopelessly incorrigible.

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"None in the world. Yet she certainly took his life.",

"There can be only one explanation," he muttered. "David is mad.",

After which Etwald bowed his visitor politely to the door of the gloomy old house which he occupied in Deanminster, and Jen returned home, quite baffled as to what could have become of the devil-stick. All his inquiries proved futile, and he was unable even to conjecture how it had disappeared; yet knowing its fatal qualities, he was in constant dread lest it should reappear in connection with a tragedy. Maurice still held to his idea that Dido had taken the wand, but Jen's inquiries proved that the negress had not been out of the house the night in question.,

Patricia gazed approvingly at the dim, shadowy study of graceful figures grouped in attentive attitudes about a reader in a landscape of suggested loveliness that spoke to any observer with delicate symbolism.